Injury is a part of life for dancers. Rather than sitting on the sidelines, sometimes you can work around an injury. It depends on the situation. When I was seventeen, I tore ligaments in my knee, and that meant I had to take some time off from dancing. My friend's mother taught me to crochet, and I made a stack of granny squares while watching the classes that I normally took. It was a productive way to use the time, and I had a nice blanket to give my mother for Christmas as a result of it.
I went to treatment regularly, and followed my acupuncturist's suggestions. She recommended that I make a bone broth soup. She explained to me that the Chinese believe that like heals like. Because my tendons and ligaments had been compromised by the injury, making a soup with a ham hock or chicken carcass would address that weakness in my body. I resonated with what she was saying. She told me to add some vegetables to the broth. I remembered my father making barley soup for us when I was a child, so I added some of it. I had always loved how peaceful and nourished it had made me feel. She also instructed me to mentally send little hearts to my knee. This was the beginning of my journey of learning about the connection of the mind and the body.
Since having my hips replaced, I have had to change how I work in ballet class. When I first started doing yoga at home, I did a very simple, basic format. I did easy things like deep breathing, shoulder rolls, neck rolls, ankle rotations, and mountain pose. I slowly moved into the standing positions over time, only going partway into the poses. I followed the precautions I had been given from my surgeon. As more time passed, my confidence increased. I began to regain my flexibility and strength. I worked very gradually, and backed off for the time I needed if I felt like I had overdone it. It was a delicate balance.
I waited for over a year before attending ballet class. I took a new approach, and decided not to force my turn out. I now stand in a relaxed third position, and focus more on the musicality, accents, port de bras, and placement. It's an eye opening feeling to stop pressuring yourself to do things perfectly. I decided just to enjoy the fact that I was there, to really listen to the teacher, and to apply the details. I find that I greatly enjoy the company of the other dancers. Being with them again is like rejoining a tribe.
It's important not to do anything that will aggravate an injury. I often watch my dogs, and study how they handle post surgical trauma. Animals have very good instincts. Unlike athletes and dancers, they will usually not work through pain. They rest and heal. They lick their wounds, drink plenty of water, and relax in their beds. They rarely re-injure themselves the way people do. In tune with their bodies, they are patient and relaxed. They naturally recover without rushing or pushing themselves.
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